It matters who controls the narrative, and how that narrative gets showcased.

The series explores infidelity as a woman's war, and monogamy as a woman's protectorate.

How do we deal with the problematic pop culture of the past, especially when it has entrenched itself into the nostalgic crevices of our psyche?

The new series explores how women's lives hang in precarious balance when the men in their lives choose crime.

The show lacks any real nuance or complexity when it comes to dissecting what it means to be Indian.

And the dynamics that rob women of their ability to stand up for themselves.

That said, the movie reduces homosexuality to a gimmick, with Ayushmann Khurrana as the cringeworthy showman.

Like all reality TV of its ilk, the show merely satisfies our hunger for one-stop-fixes and painless happy endings.

Life is short and lording your superior taste over other people doesn't sound half as good as a "Modern Family" re-run.

Because the previous 91 times white men dominated the Academy Awards weren't enough.

Director Meghna Gulzar delivers a sensitive depiction of a survivor attempting to move on despite a painfully slow justice system.

Control freaks, or people who are averse to “big emotional experiences,” usually try to find comfort in spoilers.

Discovering an alternate sexuality or gender identity is an organic process that should be normalized in cinema, filmmaker Geetu Mohandas says.

While the sequel suffers from the same vigilante-justice catharsis as the first, its insight into rape's power dynamics diverges from typical Bollywood fare.

This is the second consecutive year of all-male nominations for the awards, which have nominated female directors only seven times in their 75-year history.

A study on the effects of just one television episode shows what responsible television-making can accomplish for viewers.

However, with an actress in brownface delivering impassioned dialogue about beauty standards, the movie is a bit difficult to take seriously.

Academy rules state international films must have a "non-English dialogue track" -- even films from countries where English is a national language.